Friday, 22 May 2015
“Call me a sucker for Hollywood mythology,” writes David H. Lewis. And if you feel the same way, you’ll be charmed by Hopelessly Hollywood, his colourful memoir about a young man’s efforts to make it big in Tinsel Town.
Just a flip through the photo selection drew me in. Who wouldn’t be captivated by the sight of the Pan Pacific Auditorium - shaped like an ocean liner complete with funnels - where Lewis competed in a roller-skating tournament as a boy.
Growing up in the I Love Lucy era, Lewis says, “Hollywood cast a spell over me when I could barely walk.” He lived fifty miles from San Francisco in Santa Rosa, an unspoilt piece of small town America that was often used for location filming, and the opportunity as a young man to be an extra in the Bette Davis film Storm Centre cemented the showbiz dream in his heart.
Before long, he was living in LA, where he paints a vivid picture of an aspiring acting community sweltering in the heat by day and chilling by evening in the cool breeze on the pier.
In the faded grandeur of the Halifax Apartments on Yucca Street, “once home to top line entertainers from silent film stars to opera queens” were now “hordes of aging holdouts and young blurry-eyed believers in great American dreams.”
Despite Hollywood’s association with the silver screen, Lewis’ dreams weren’t of movie stardom but of penning a Broadway musical. Los Angeles was also a theatre town. “There were dozens of small theatres, a good many in walking distance of where I lived.” There was also a bottomless pool of acting, composing and producing talent with everyone desperate to be part of any show that might get a review and lead to bigger things - even if that meant working for free or paying for the privilege.
Lewis is also the author of Broadway Musicals: A Hundred Year History. But he’s best known today as America’s foremost commentator on the world of circus. He blogs on the subject as Showbiz David and has written several books on the big top including, most recently, Inside The Changing Circus (penned as David Lewis Hammarstrom).
So it’s no surprise that he pinned his Broadway dreams to a show about the origins of the Ringling Brothers Circus called Those Ringlings.
Lewis takes us on a rollercoaster ride through the staging of his first show at the 58-seat Actor’s Playhouse: the artistic differences, the thrill of a rave review in Variety - “Tears came streaming down my face” - and the subsequent come down of playing to empty seats.
“Have a good LA reality check laugh on me,” he invites us, ruefully.
But in Hollywood, dreams never die; not completely. “You allow yourself another chance, it just keeps going.”
Lewis is a prose stylist with a voice that sizzles on the page. His rich style is perfectly suited to the self-hyping world he describes and makes it easy to imagine how the dialogue in Those Ringlings must have danced. His song titles make me wish I’d been there on opening night.
I hope the show will one day find a new commercial life. (See how easy it is to be caught up in the great Hollywood “maybe...”?)
Lewis is a Hollywood survivor. But woven through his book, and providing its real emotional punch, is a genuine Tinsel Town tragedy in the story of his early collaborator and lifelong friend Mike Kohl.
It’s clear that Mike’s problems were within himself. Hollywood was the backdrop to his downward spiral, not necessarily its cause. Mike’s story nevertheless symbolises the fate of many Hollywood dreams.
Most showbiz memoirs focus on success stories, obscuring the fact that stardom is actually attained by very few. Lewis’ book shows us the reality for the majority who reach for stars that appear closer than they are. Yet such is the passion of the author and the other characters in the tale that even the broken dreams and broken dreamers have a sheen of glamour.
Ultimately, Lewis’ strength is his ability to see through the fantasy without losing sight of it. He’s both clear-eyed cynic and starry-eyed believer, often in the same sentence. If you’ve ever dared to dream, you’ll be with him all the way.
Hopelessly Hollywood by David H. Lewis is available from Amazon.
Wednesday, 20 May 2015
Out in sunny California, circus blogger Showbiz David calls the arty end of circus 'big top brocolli.' I had a plateful at the weekend, but did it do me good?
Read my review of What Will Have Been by Australian ensemble Circa at the Norfolk and Norwich Festival this week, in The Stage, or read it online here. (You may have to register, but it's free.)
Wednesday, 13 May 2015
In an interesting twist on the debate over animals in circuses, a new company, The Travellers of Elsewhere will be using horses to pull their wagons on a 200 mile tour of Scotland in July.
The company will also use solar power for electricity in a show that will mix circus tricks, storytelling and music to put across a message of sustainable living, a green lifestyle and tree-planting.
They could end up travelling by shanks' pony, however. At the moment they have raised enough money through crowd funding to buy one horse and cart and are hoping to raise enough for another two horses... but will go through with the tour even if they fail to raise the capital.
If you'd like to contribute go to indiegogo.com
According to organiser Kenn Musso: “In an age of digital entertainment, we must remember what actually makes up a quality experience. Creative expression, positive community, shared laughter, music, and celebration – are all possible, and often more genuine, without depending on sophisticated digital or mechanical technologies.”
For more on horse-drawn circuses, read Circus Mania which includes an interview with retired ringmaster George Pinder about the days when his family's circus travelled that way as a matter of course 100 years ago.
Tuesday, 12 May 2015
Friday, 1 May 2015
|Zippos star Norman Barrett OBE and his budgies|
Circus is in fashion. A certain type of circus, anyway. Two years ago, Britain’s leading circus school attained ‘national’ status when it became the National Centre for Circus Arts. This year, the Edinburgh Fringe will get a £600,000 dedicated Circus Hub that will bring twelve contemporary circus shows to the Scottish city from as far afield as Canada, Australia and the Czech Republic.
According to Ed Bartlam of promoters Underbelly, “We want to create a real focal hub for the very broad genre that is circus and in that present a really high-quality programme of different styles.”
So it was sad to see Bartlam’s co-director Charlie Wood sweepingly dismissing the biggest part of circus’ ‘broad genre,’ and a part that represents nearly 250 years of circus history, in an interview with The Guardian.
“Circus is not necessarily cliched, hack, silly stuff in a big tent,” said Wood. “We’ve tried to get away from the old understanding of what circus is – nasty big tops and animals and hack clowns and so on. Circus can mean something, it can have a narrative, it can be theatrical and it can have fantastic skills in it.”
During the research for my book Circus Mania, I experienced what is indeed the ‘broad genre’ of circus, from the big budget spectacle of Cirque du Soleil to the blood-splattered Circus of Horrors and small scale companies such as Australia's Circa which is more typical of the type of circus found of the festival circuit (you can see Circa at the Norfolk and Norwich Festival later this month).
There’s no doubt that modern circus can be good. Of the acts appearing at the Circus Hub, Canada’s Cirque Alfonse wowed London in 2013 with the hugely accessible and enjoyable lumberjack circus, Timber! (Click here to read about it)
But, sad to say, much ‘narrative’ and ‘theatrical’ contemporary circus has left me yawning. In trying to “mean something,’ it has frequently lost circus’ most vital element, it’s sense of fun.
|The magic of the big top|
At the still very much extant Circus Mondao, which is run by a family that has been in the circus 200 years, I was transported to a magical plane by the sight of plumed spotted horses cantering through the atmospherically lit sawdust; and reduced to helpless laughter by a soaking wet clown sliding the full diameter of the ring on his belly in a tsunami of spilt water.
Animals and genuinely funny traditional clowns are things contemporary circus would rather forget, but in turning its back on them, in the way Wood does so crassly, it loses its soul and, I would dare to say, a lot of its pulling power. For it’s the traditional circuses that have always existed on box office takings alone while most new circus relies on sponsorship and public funding.
|Tsavo, a Chipperfield lion|
The big cats were a roaring success, but predictably attracted roars of disapproval from animal rights protesters. With a long-promised ban on wild animals in the circus looming over our big tops, it seems even traditional circuses would rather go quietly into the night than rage against the dying of the circus lights.
This year, no UK circus has big cats or elephants and the biggest part of circus’ appeal, for me, seems to have left the big top with them.
Zippos, arguably Britain's most popular circus, continues to use its ring for the purpose for which it was designed - the display of horses - and long may they continue to do so. They also have ringmaster Norman Barrett OBE's performing budgies. It was a shame to see the Guardian's article on the Circus Hub take a swipe at them, too: "Circus in 2015 is far removed from memories of doleful clowns squirting water from a flower, sequinned trapeze acts, and Norman Barrett and his performing budgerigars. It’s more physical, edgy and sexy," writes Mark Brown.
I'd rather see some lions. But given the choice between Barrett's budgies and one of the 'circus' shows on the Hub's programme, which is thrillingly billed as "A poetic search for inner peace and the liberation of prejudice," I'll take the the budgies.
Read my backstage and ringside journey through the rich and diverse world of circus, talking to showmen, clowns, trapeze artists, sword-swallowers and tiger trainers in Circus Mania - The Ultimate Book For Anyone Who Dreamed of Running Away With The Circus.
Click here to read the 5-star reviews on Amazon.
Thursday, 30 April 2015
If there was one show in Scotland worth seeing this week, it would have been Thomas Chipperfield's An Evening with Lions and Tigers at. Crimond Airfield, Fraserburgh. Unfortunately, the show has been cancelled - or rather, counciled - due to licensing issues. Hopefully new dates and venues will be announced soon.
click here. And read my interview with Britain's last lion trainer in the Daily Telegraph here.
Saturday, 18 April 2015
Here's this year's official World Circus Day greeting from Princess Stephanie of Monaco.
The drawing is by Chantal Lutzny, aged 10. The family Lutzny are owners of Circus Montana, which travels between Germany and the Netherlands. Chantal was born in the circus and travels with her parents. The circus has a Western act with horses, knife-throwing, lasso and a fire show. Chantal performs some acrobatics.
Chantal is enrolled in a special touring school for circus children, De Rijdende School, based in The Netherlands, which provides face-to-face learning and distance education. The school is a member of the European Network of Traveller Education (ENTE). De Rijdende School is celebrating its 60th anniversary this year and the children submitted drawings to the International Circus Federation that they proposed for the Princess’s greeting card to celebrate the Sixth World Circus Day.
The Federation asked Mr. Steven High, Executive Director of The John & Mable Ringling Museum of Art, Sarasota, Florida, USA, to select the winning design.
Happy World Circus Day!
Wednesday, 15 April 2015
|No1 Best Seller, April 16, 2015|
As World Circus Day approaches this Saturday, April 18, it was gratifying to see Circus Mania back at the top of the Amazon circus chart and officially designated the #1 Best-seller in Circus.
Click here to read the 8 5-star reviews and to buy the book the Mail on Sunday called "A brilliant account of a vanishing art form!"
Tuesday, 14 April 2015
There are some great circus posters to be seen at Mashable - you can also find out exactly what Omikron - The Living Gasometer did in his act!
Not the creases on the above poster, too. Did you know that prior to the 1980s, circus and film posters were always sent out folded rather than rolled?
Friday, 10 April 2015
|Roll up, roll up... for World Circus Day!|
To celebrate the sixth World Circus Day this Saturday April 18, here are 20 fabulous facts about the sawdust circle.
1 - The word circus dates from Roman times when arenas such as the Circus Maximus staged chariot races, gladiatorial contests and mock battles.
2 - The modern circus was founded in London by trick horse-rider Philip Astley, who opened his Amphitheatre of Equestrian Arts in London, in 1768.
3 - Astley’s rival Charles Hughes was the first to use the word circus in the modern sense when he founded the Royal Circus.
4 - A standard circus ring is 42-feet in diameter.
5 - Clowns are nicknamed Joeys after 19th century pantomime star Joseph Grimaldi.
6 - Leotards are named after the first star of the flying trapeze, Jules Leotard.
7 - The word jumbo, meaning large, entered the English language because of Jumbo, an 11-foot-tall elephant that the American showman PT Barnum bought from London Zoo.
8 - The traditional circus theme music is called Entrance of the Gladiators.
9 - Charlie Cairoli was the first clown to appear on This Is Your Life.
10 - Chinese acrobats first appeared in European circuses in 1866.
11 - Cirque du Soleil was created as part of the 1984 celebrations to mark the 450th anniversary of Jacques Cartier’s discovery of Canada.
12 - Enrico Rastelli (1896 - 1931) is widely considered greatest juggler of all time, being able to juggle ten balls at once.
13 - The first American circus was founded by John Bill Ricketts in Philadelphia on April 3, 1793.
14 - A ‘josser’ is an outsider who joins the circus.
15 - According to circus superstition, it’s unlucky to wear green in the ring.
16 - Foot-juggling with a person is known as a Risley act after the 19th century American pioneer of the style Richard Risley Carlisle.
17 - The mischievous clown in a double act is called the ‘auguste’ and the straight man is the ‘whiteface.’
18 - The word clown is believed to come from the Icelandic word klunni, meaning a clumsy person.
19 - The first elephant to appear in a British circus performed at Covent Garden in 1810.
20- Joshua Purdy Brown staged the first circus in a tent or big top in America in 1825. Before that, circuses were performed in buildings or the open air.
"A passionate, up-to-date look
at the circus and its people"
- Gerry Cottle.
“Circus Mania is a brilliant account of a vanishing art form.”
- Mail on Sunday.
“The Greatest Show on Earth... in a Book!”
- World’s Fair.
Click here to buy the paperback or ebook from Amazon.
And may all your days be circus days!